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Hungary’s National Theatre director, Attila Vidnyánszky, tendered his resignation in the wake of a balcony fall incident during a production of Romeo and Juliet. The accident occurred during the second act, causing serious injuries to actors Júlia Szász (Juliet) and Otto Lajos Horváth (Capulet), who are currently in a stable condition post-surgery. Despite Vidnyánszky’s offer, Hungary’s culture minister, János Csák, rejected the resignation. An investigation has been launched, and Csák emphasized the need to await its findings before deciding on any further action.

The incident took place in Budapest, where paramedics treated Szász and Horváth after they fell from an elevated platform behind the scenery. Both actors are expected to recover, and Csák, along with Vidnyánszky, visited the hospital to meet with doctors. In an Instagram post, Csák expressed optimism about the actors’ improving conditions and wished them a swift recovery. The exact timeline for the investigation’s conclusion remains uncertain.

Attila Vidnyánszky, a key ally of Prime Minister Viktor Orban, has held the position of National Theatre director for a decade. His tenure, originally set to conclude in 2023, was extended to 2028 earlier this year. The close association with the Prime Minister adds a political dimension to the incident, highlighting the delicate balance between artistic leadership and political ties.

Júlia Szász, known for her roles in both theatre and high-profile Hungarian films, was scheduled for future National Theatre performances. Otto Lajos Horváth, who gained prominence in the early 2000s, particularly in Hungarian films and television shows, is also part of the country’s cultural landscape. The accident during the performance of Shakespeare’s timeless tragedy adds a layer of tragedy to the real-life drama, drawing attention to the intersection of art, safety, and leadership in Hungary’s National Theatre.

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Romeo and Juliet’s Oscar-winning 1968 cast members are suing Paramount Pictures for alleged sexual abuse related to a sequence in which they participated in naked behaviour. When they made the movie, Leonard Whiting and Olivia Hussey were both young adults.

The English performers, who are now in their 70s, claim in a recent court case that director Franco Zeffirelli persuaded them to do naked scenes despite earlier promises that they wouldn’t have to. The claim has not received a public response from Paramount yet.

Based on the hardship they claim to have gone through and the money the movie has made since its premiere, the two actors are requesting damages totaling more than $500 million (£417 million).

They assert that Zeffirelli, who passed away in 2019, promised them at first that they would wear underwear with a flesh tone in the bedroom scene.

However, they claim the director informed them they would only wear body makeup the morning of the shoot and assured them the camera would be placed so as to not capture nudity.

Hussey’s exposed breasts and Whiting’s bare buttocks were briefly displayed during the scene in the finished movie.

According to their lawsuit, Zeffirelli instructed them to perform in the naked position “otherwise the picture would fail” and harm their careers. The performers “felt they had no choice but to perform in the body painted as required”

Whiting was then aged 16 and is now 72, while Hussey was 15 when the film was shot and is now 71.

The two are suing Paramount for fraud, sexual assault, and harassment. The Hollywood studio is charged in the lawsuit of sexually abusing the two young performers and disseminating pictures of young youngsters in their underwear.

According to the court document, Whiting and Hussey have endured years of emotional distress and mental suffering as a result of how they were handled. The movie was a tremendous hit when it came out and has since been viewed by countless students who are studying the Shakespeare play.

It was nominated for four Oscars—two of which were for best costume design and cinematography—including best director and best picture.

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