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In a Moscow function room, a group of women, known as The Way Home, publicly criticizes the Russian authorities for keeping their husbands, part of the 300,000 reservists mobilized for the war in Ukraine, away from home. The women, who met through social media, have different views on the war but share the belief that their husbands have fulfilled their military duty and should return.

The women express frustration with the government and its lack of consideration for the soldiers’ well-being. They meet with local councillor Boris Nadezhdin, a rare government critic who has been allowed on national television. Nadezhdin, critical of the military operation, believes the war has damaged Putin’s domestic popularity.

Critics of the war blame the mobilized men, while Kremlin supporters label the women as Western puppets. Russian MP Andrei Kartapolov suggests that calls for demobilization are orchestrated by Russia’s enemies, linking it to World War Two. The women find such comparisons insulting, emphasizing that the current conflict is different.

Maria Andreeva, a member of The Way Home, not only advocates for her family’s return but also aims to prevent further call-ups. The group stages peaceful protests by laying flowers at the Tomb of the Unknown Soldier.

Despite their efforts, the women feel a lack of support from society. Antonina, whose partner was drafted, shares her disappointment in the changing perception of her husband among friends. She emphasizes the desire for the return of husbands who did not volunteer for the front line, questioning Putin’s attitude towards citizens who once supported him. The women fear the possibility of a second wave of mobilization, despite Putin’s earlier assurances.

Picture Courtesy: Google/images are subject to copyright

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More than 200 years after their removal by Lord Elgin, the Elgin Marbles remain a contentious issue, symbolizing perceived injustice among the majority of Greeks. The British claim of ownership is widely rejected, and the sculptures, often referred to as the Parthenon Sculptures, are seen as stolen treasures, taken through imperial theft.

In central Athens, a consensus prevails among the people, regardless of age, asserting that the Parthenon and its sculptures rightfully belong to Greece. The argument that the British Museum ensures better preservation is dismissed, with anecdotes about issues like a leaking roof at the museum cited as evidence to the contrary.

At the foot of the Acropolis, a dedicated museum has been waiting for 14 years to showcase the missing marbles upon their return. While countries like Italy have expressed willingness to return Greek antiquities, the British government has not followed suit, maintaining a contentious stance on the issue.

The cancellation of a meeting between UK Prime Minister Rishi Sunak and Greek Prime Minister Kyriakos Mitsotakis has strained diplomatic relations. Cabinet minister Adonis Georgiadis, expressing a sense of offense, underscores the bipartisan unity in Greece, asserting that the return of the marbles is not merely a political stance but a matter of national and cultural significance.

Foreign Minister Giorgos Gerapetritis reinforces the claim, emphasizing the historical, just, and ecumenical cultural value attached to the sculptures. Despite the strained relations, there is a hope for a resolution, with Georgiadis expressing the wish for the British Museum to find a “reasonable way out” of a predicament seen as a “disgrace” by many Greeks.

Among the late-night shoppers in Athens, skepticism towards the British Museum’s motivations is evident, with some attributing the reluctance to financial concerns. The sentiment among Athenians is that the return of the marbles would not only make Greeks happy but also foster goodwill globally, promoting fairness and reasonability.

Picture Courtesy: Google/images are subject to copyright