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A leading art museum in Switzerland, the Kunsthaus Zurich, has announced the removal of five paintings from its exhibition for investigation into whether they were looted by the Nazis. These artworks are part of the Emil Bührle Collection, which includes pieces by renowned artists such as Claude Monet and Vincent van Gogh. The collection is named after Emil Bührle, a German-born arms dealer who profited during World War II by supplying weapons to the Nazis.

The investigation follows the release of new guidelines to address the restitution of cultural artifacts that were never returned to their rightful owners after being stolen during the Nazi era. The paintings under scrutiny are Monet’s “Jardin de Monet à Giverny,” Gustave Courbet’s “Portrait of the Sculptor Louis-Joseph,” Henri de Toulouse-Lautrec’s “Georges-Henri Manuel,” Vincent van Gogh’s “The Old Tower,” and Paul Gauguin’s “La route montante.”

The Emil Bührle Collection foundation board stated its commitment to finding a fair solution with the legal successors of the original owners, adhering to best practices. Another painting, “La Sultane” by Edouard Manet, is also under examination but will be handled separately as the foundation does not believe the new guidelines apply to it. The foundation has expressed willingness to offer financial compensation to the estate of Max Silberberg, the former owner, who was a German Jewish industrialist. Silberberg’s extensive art collection was sold under duress by the Nazis, and he is believed to have been murdered at Auschwitz.

Earlier this year, more than 20 countries, including Switzerland, adopted new best practices from the US State Department for handling Nazi-looted art. These guidelines were introduced on the 25th anniversary of the 1998 Washington Conference Principles, which aim to facilitate the restitution of stolen or forcibly sold items. These principles are crucial for families seeking to recover looted art, as Swiss law prevents legal claims for restitution or compensation for works from the Bührle collection due to statutes of limitations.

Stuart Eizenstat, the US Secretary of State’s special advisor on Holocaust issues, highlighted that an estimated 100,000 out of 600,000 stolen paintings, along with many books, manuscripts, religious items, and other cultural objects, have not been returned. Up to his death in 1956, Bührle amassed around 600 artworks, many of which are managed by the Bührle Foundation and have been on loan to the Kunsthaus Zurich. Other pieces remain with Bührle’s descendants.

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An Austrian auction house in Vienna is preparing to auction off a long-lost painting by Gustav Klimt, called “Portrait of Fraulein Lieser,” which he began in 1917, just a year before his death. There’s considerable mystery surrounding the artwork, including the identity of the woman depicted and its whereabouts during the Nazi era.

Art historians suggest the painting might portray Margarethe Constance Lieser, daughter of a wealthy Jewish industrialist, Adolf Lieser. However, the auction house proposes it could also be one of the daughters of Justus Lieser and his wife Henriette, who tragically died in Auschwitz during the Holocaust. The exact history of the painting after 1925 remains unclear, but it resurfaced in the 1960s and has since changed hands through inheritances.

The auction is being conducted in accordance with the Washington Principles, an international agreement to return Nazi-looted art to its rightful descendants. However, there are calls for an independent investigation into the case by Erika Jakubovits, the executive director of the Presidency of the Austrian Jewish Community. She emphasizes the importance of thorough and transparent research in art restitution cases.

Klimt’s artworks have previously fetched significant sums at auctions, with “Lady with a Fan” setting a European record when it sold for £85.3m in 2023 at Sotheby’s.

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