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French film star Anouk Aimée, renowned for her work with many of Europe’s most influential directors, has passed away at the age of 92. Aimée, whose career spanned eight decades, starred in numerous films, including Claude Lelouch’s “A Man and a Woman,” which earned her an Oscar nomination. She died at her Paris home on Tuesday, as confirmed by Sébastien Perrolat of the TimeArt agency to the AFP news agency. Her daughter, Manuela Papatakis, shared that she was by her mother’s side at the time of her death. Papatakis expressed her grief on Instagram, posting a black-and-white photograph of Aimée and mentioning that she, her daughter Galaad, and her granddaughter Mila, were deeply saddened by Aimée’s passing.

French Culture Minister Rachida Dati paid tribute to Aimée on X, praising her as a world-famous icon and a prominent figure in French cinema who worked with major directors like Jacques Demy, Claude Lelouch, and Federico Fellini.

Born Nicole Françoise Florence Dreyfus in Paris in 1932, Aimée’s father was Jewish, though she was raised Catholic. After the German occupation of Paris in 1940, her family sent her to the countryside and changed her name for safety. Aimée debuted on screen as a teenager in the 1946 film “La Maison Sous La Mer” and adopted her character’s name, Anouk. French poet and screenwriter Jacques Prevert suggested she change her surname to Aimée, meaning “loved.”

Aimée was in high demand for Italian and French films. Her career took off with Fellini’s acclaimed 1960 film “La Dolce Vita” and continued with “8½” in 1963. However, it was her role in Lelouch’s 1966 film “A Man and a Woman” that cemented her status as an icon of romantic cinema. This performance earned her a Golden Globe, a BAFTA, and an Oscar nomination, making her the first actor nominated for an Oscar for a French-language performance. Although she did not win, the film received the Oscar for Best Foreign Language Film.

Throughout her career, Aimée starred in 70 films and received an honorary César Award in 2002. In 2019, she attended the Cannes Film Festival for the premiere of Lelouch’s sequel to “A Man and a Woman,” where she reunited with her co-star Jean-Louis Trintignant.

Renowned for her beauty and acting talent, Aimée was named one of the “100 sexiest stars in film history” by Empire magazine in 1995. She had one daughter, Manuela, with film director Nico Papatakis, one of her four husbands. She was also married to composer Pierre Barouh and British actor Albert Finney. Aimée spent her later years in the Montmartre district of Paris.

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Renowned Italian fashion designer Roberto Cavalli, famous for his vibrant animal prints on leather and textiles, has passed away at the age of 83. The announcement was made by his eponymous fashion house on Instagram, though no further details were provided. According to Italian news agency ANSA, he died at his home in Florence after battling a prolonged illness.

Cavalli, who founded his company in the 1970s, leaves behind a legacy of iconic designs worn by luminaries such as Brigitte Bardot, Sophia Loren, Kim Kardashian, and Jennifer Lopez. Fausto Puglisi, the creative director of Roberto Cavalli, expressed his reverence for the late designer, calling him “a beacon of inspiration for others” and describing working with him as the pinnacle of his career.

Born in Florence on November 15, 1940, Cavalli was renowned for his maximalist approach to fashion, incorporating not only animal prints but also hippie dresses, sand-blasted jeans, and denim patchwork into his collections. He even ventured into designing the Playboy Bunnies’ uniforms, infusing them with his signature leopard print.

When asked about his affinity for animal prints, Cavalli credited nature as his inspiration, marveling at the intricate patterns found in creatures like fish, snakes, and tigers. He regarded God as the ultimate designer and sought to emulate nature’s beauty in his creations.

Giorgio Armani, the founder of Armani, paid tribute to Cavalli’s distinctive style, describing him as a “true artist” whose “Tuscan verve” would be sorely missed. Armani praised Cavalli’s ability to translate fantasy into alluring garments, highlighting his mastery of prints and his boundless creativity.

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Hungary’s National Theatre director, Attila Vidnyánszky, tendered his resignation in the wake of a balcony fall incident during a production of Romeo and Juliet. The accident occurred during the second act, causing serious injuries to actors Júlia Szász (Juliet) and Otto Lajos Horváth (Capulet), who are currently in a stable condition post-surgery. Despite Vidnyánszky’s offer, Hungary’s culture minister, János Csák, rejected the resignation. An investigation has been launched, and Csák emphasized the need to await its findings before deciding on any further action.

The incident took place in Budapest, where paramedics treated Szász and Horváth after they fell from an elevated platform behind the scenery. Both actors are expected to recover, and Csák, along with Vidnyánszky, visited the hospital to meet with doctors. In an Instagram post, Csák expressed optimism about the actors’ improving conditions and wished them a swift recovery. The exact timeline for the investigation’s conclusion remains uncertain.

Attila Vidnyánszky, a key ally of Prime Minister Viktor Orban, has held the position of National Theatre director for a decade. His tenure, originally set to conclude in 2023, was extended to 2028 earlier this year. The close association with the Prime Minister adds a political dimension to the incident, highlighting the delicate balance between artistic leadership and political ties.

Júlia Szász, known for her roles in both theatre and high-profile Hungarian films, was scheduled for future National Theatre performances. Otto Lajos Horváth, who gained prominence in the early 2000s, particularly in Hungarian films and television shows, is also part of the country’s cultural landscape. The accident during the performance of Shakespeare’s timeless tragedy adds a layer of tragedy to the real-life drama, drawing attention to the intersection of art, safety, and leadership in Hungary’s National Theatre.

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