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Putin hails army ‘heroes’ and warns off West in WW2 parade

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The annual Red Square military parade had a different feel this time, not just because of the spring snowstorm. While 9,000 people marched across the square, the numbers were lower compared to previous years before Russia’s invasion of Ukraine. There was less military hardware on display, with only one T-34 tank present.

References to Russia’s war in Ukraine were abundant, with soldiers who had been fighting there participating in the parade. President Putin emphasized this in his address, highlighting the ongoing “Special Military Operation” in Ukraine and praising the frontline soldiers as heroes.

Recent tensions with Western nations, including accusations from Russia and warnings from President Putin, added to the atmosphere. Putin issued a warning to the West, accompanied by nuclear sabre-rattling, stating Russia’s readiness to defend itself.

Victory Day in Russia has become a significant holiday, commemorating the Soviet defeat of Nazi Germany and the immense human cost of that victory. However, it’s also used to justify present actions, framing the war in Ukraine as a continuation of World War Two against enemies like Ukraine and the West.

The normalization of war in Russia is evident, as reflected in the unveiling of a war memorial outside Moscow, dedicated to soldiers who died in various conflicts, including Afghanistan, Chechnya, and Ukraine. An official’s speech at the unveiling conveyed the message that wars are part of human nature, marking a shift from the previous sentiment of “No more war” that was prevalent in post-World War Two Russia.

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Ukraine war: Russian schoolbook urges teenagers to join the army

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A new Russian school textbook has been introduced under the guise of “Fundamentals of Security and Defence of the Motherland,” replacing a previous subject called “Fundamentals of Safe Living.” This compulsory lesson targets high school students aged 15 to 18 in both Russia and occupied territories in Ukraine. Former soldiers and individuals with pedagogical degrees are being trained to teach this subject, with the curriculum heavily influenced by the Russian government’s agenda.

The textbook, titled “The Russian Army in Defence of the Fatherland,” glorifies Russian military history, including the role of Joseph Stalin and the Soviet victories in World War Two. It also portrays Russia’s annexation of Crimea in 2014 as a “reunification” and justifies the invasion of Ukraine with distorted facts, blaming Ukraine and NATO for initiating conflict.

Furthermore, the textbook propagates misinformation about events such as the destruction of Ukrainian infrastructure and civilian casualties during the conflict. It aggressively promotes joining the Russian military, highlighting benefits such as free medical care, insurance, a decent salary, and three meals a day.

Critics argue that this indoctrination through education could lead to more young people joining the military and ultimately being casualties of war. While Russia doesn’t disclose its exact military casualties, it’s estimated that at least 1,240 soldiers under the age of 20 have died in the conflict with Ukraine.

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Nerves and patriotism in Moscow after 18 months of war

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Moscow’s atmosphere is heavily influenced by Russia’s imperial history. The imposing Kremlin walls and towers create a sense of insignificance among visitors on Red Square.

A similar feeling arises five miles away at Victory Park, a vast complex of museums and memorials honoring the Soviet Union’s triumph over Nazi Germany. Its centerpiece, a colossal square with a 141.8-meter obelisk, pays tribute to each day of World War Two.

During my visit, the National Day of the Russian Flag is celebrated, marked by the unfolding of a massive tricolor flag, reportedly the nation’s largest. Ringed by Russian soldiers, the flag unfurls to the tune of patriotic music. The museum director’s speech underscores the unifying power of such events.

In the wake of the full-scale invasion of Ukraine, the Kremlin has actively promoted such patriotic gatherings.

Inside the Victory Museum, an exhibition glorifies the “heroes” of the “special military operation,” likening Russian involvement in Ukraine to the Soviet efforts in WW2.

Andrei Afanasiev, a pro-Kremlin blogger and academic, believes that patriotism gains importance during wartime, asserting that Russia is facing a Western-led conflict that necessitates self-reliance and unity. He maintains that patriotism has surged and that the Russian people are mobilized and united by the war.

Russian state TV portrays “successes” and “progress,” but the actual situation contrasts starkly. A military analyst reveals that the Russian military acknowledges being in a tough spot, having lost territory and with morale low due to their unpreparedness for modern warfare.

The analyst indicates that information about the battlefield situation is distorted as it moves up the chain of command, including to the president.

The overall atmosphere in Moscow exudes apprehension. Recent events, such as Yevgeny Prigozhin’s mutiny and the devaluation of the ruble, contribute to a sense of unease. The city’s skyline is juxtaposed with an anti-aircraft system atop the Russian Defence Ministry, symbolizing the coexistence of beauty and apprehension.

While individuals might not be perturbed by individual occurrences, there’s a prevailing sentiment of concern about the present and fear for the future.

In Gorky Park, a picturesque scene unfolds, with families enjoying the surroundings. Nearby, the Russian Defence Ministry stands, topped by an anti-aircraft system. This contrast doesn’t alarm locals, with some expressing approval for the military stance.

Fear has taken root in Moscow. Opposition activists convene in inconspicuous spaces, with Yulia Galyamina leading the meeting. She laments the frequent arrests of activists but remains committed to her cause. Other activists, using pseudonyms due to fear, underscore the presence of anti-war sentiment in Russia and their dedication to the cause.

Despite the challenges, they believe in humanity’s ultimate triumph and vow to persevere.

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Poland’s mission to recover valuable artwork stolen by the Nazis

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During the Nazi occupation of Poland in World War Two, numerous valuable artworks were stolen. Among them was Madonna with Child, a 16th-century painting attributed to Alessandro Turchi. Recently, the painting was discovered in Japan and returned to Polish authorities in a ceremony held in Tokyo. This is part of Poland’s ongoing effort to retrieve looted artworks, with Madonna with Child being one of the 600 successfully recovered so far. However, there are still over 66,000 war losses yet to be found. Poland has launched a campaign to seek the return of hundreds of thousands of missing artworks and cultural items, as well as reparations from Germany for the damages caused by the occupying Nazis.

Art experts anticipate that more looted artworks will be uncovered as time passes, especially as heirs attempt to sell these pieces without awareness of their history. Madonna with Child was believed to have been transferred to Germany in 1940 during the Nazi occupation, as the Nazis frequently looted art from Jewish families before their execution. The painting appeared again in the 1990s when it was sold at an auction in New York. However, the sale was halted in January last year after Polish authorities identified the artwork, and it was subsequently agreed upon by the auction house and the owner to be returned to Poland. The official handover ceremony took place in Tokyo.

The return of masterpieces like Madonna with Child helps restore pride in Poland’s art heritage and highlights the significance of Polish collections. Polish art historian Natalia Cetera stated that reclaiming these artworks showcases the country’s focus on remembering its cultural heritage and rebuilding its strength in art. There has been a shift in recent years towards recognizing cultural heritage as a common good. As looted artworks are inherited by the next generation, the unaware heirs may unknowingly sell these pieces, leading to their discovery.

Efforts to locate stolen artworks from Poland involve recording them in international databases and the work of art historians who are researching looted artworks and identifying them. The advancement of technology and online platforms used by auction houses allow for increased visibility and more eyes searching for looted objects. Furthermore, there seems to be a generational shift in attitudes toward stolen masterpieces, with some individuals willingly returning the artworks rather than facing legal issues.

The return of Madonna with Child is a source of pride for Poland, but it remains uncertain whether the passion for retrieving stolen artwork will continue with future generations. The digitization of art collections may impact the interest in physical artworks, as access to digital versions becomes more prevalent. While the successful retrieval of physical artworks is currently important, the advancement of technology might reduce the necessity of physically reclaiming artworks in the future.

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