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Spanish prosecutors have dismissed an investigation into sexual abuse allegations made against legendary singer Julio Iglesias, citing a lack of jurisdiction. Authorities ruled that Spanish courts were not competent to investigate the claims because the alleged incidents took place outside Spain and involved complainants who are neither Spanish citizens nor residents. The women also had no connection to Spain through travel or employment with the singer.

The complaints were filed earlier this month by two former female employees who alleged that Iglesias created a coercive and abusive environment while they worked at his properties in the Bahamas and the Dominican Republic in 2021. The case was submitted to Spain’s national court, which handles crimes committed abroad, with support from advocacy groups including Women’s Link Worldwide and Amnesty International. These groups argued the alleged acts could amount to human trafficking and sexual violence, involving vulnerable workers dependent on their wages.

However, prosecutors concluded that the principle of universal jurisdiction did not apply in this case and said the countries where the alleged incidents occurred had the authority to investigate the claims themselves. Iglesias, 82, has strongly denied the accusations, calling them “absolutely false” and expressing sadness over the allegations. The globally renowned artist, who has sold more than 300 million records, is also the father of singer Enrique Iglesias.

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An AI-created folk-pop song that topped Spotify’s Sweden Top 50 has been barred from the country’s official music charts, reigniting debate over artificial intelligence and creativity. The track, Jag vet, du är inte min (“I Know, You’re Not Mine”), performed by a digital artist named Jacub, amassed over five million streams within weeks, making it Sweden’s biggest song of 2026 so far. However, Sweden’s music industry body ruled that the song does not qualify for chart rankings because it was primarily generated using AI.

Investigations by journalists revealed that Jacub is not a conventional artist, with no public performances or social media presence. The song is linked to executives at Denmark-based Stellar Music, including members of its AI division. The producers, calling themselves Team Jacub, argued that AI was only a tool in a human-led creative process and said the song’s popularity proved its artistic value. They described Jacub as an “artistic project” driven by real human emotions and experiences.

The explanation failed to convince IFPI Sweden, which enforces a rule excluding mainly AI-generated music from its national charts. The decision comes as Sweden positions itself at the forefront of the AI economy, even as creators warn of revenue losses from AI-generated content. While organisations like Billboard allow AI-generated tracks if they meet performance criteria, Sweden’s tougher stance highlights growing global divisions over how AI-made music should be recognised and regulated.

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